According to the bible, Moses received the two stone tablets with 10 commandments from God on Mount Sinai. Not only did the Tablets contain valuable information on how to behave, they were written by God’s own finger! According to Jewish tradition, God also gave him the complete Jewish Bible + interpretation.
Forget about the tablets, forget about the Bible. Because according to the Talmud, Moses also received a goodie bag containing some small presents from the angels. And those presents are many times more interesting! Moreover, 1 of those presents leads us to Ace of Swords in the Tarot …
While working on my thesis for the Tarot Masters, I had decided that I would find the origin of wisdom in the Tarot. For this I needed to go back to the time of the creation of the first real Tarot Deck: The early Renaissance (1423). An important feature of the Renaissance was that people would begin referring (again) to the classical Roman and Greek philosophers. What I had forgotten since I left Highschool, was that philosophy in ancient times was mainly practical; It was about norms and values and finding the answer to the question: “how should I live?” This is where the word “Art of Living” derives from. Actually, this ‘practical’ Philosophy consists partly of a collection of “things my mom used to say” (also called “aphorisms”). Joep Dohmen – who has written a some very nice instructive philosophy books – expresses himself far better than I do; His definition of philosophy is:
“A coherence of thinking and living living and thinking. Eat as a human being, drink as a human being, participate in social life, learn to deal with ridicule and defamation and tolerate other people”
When I started out studying the Tarot somewhere in the nineties, I would diligently try to search for ‘true’ meanings and correspondences of the cards. I wrote everything down neatly in my Tarot journal and all went well for a while. But then I came to notice that the correspondences of the elements, the astrological correspondences or even the meanings were different everywhere! And no one could clarify what ‘the truth’ was (alltough many claimed they could). This was extremely frustrating!
“If someone would announce that an ancient Egyptian work still exists: one of their books that escaped the flames that destroyed their extraordinary libraries, and which contains their highest teachings on a number of fascinating objects . . . . Would you think he was fooling his readers?”
Antoine Court de Gébelin on the Tarot in ‘Le Monde Primitif’
Antoine Court de Gébellin (1725 – 1784) is regarded as the founder of the ‘modern’ esoteric Tarot. His father was a preacher and in 1754 he was about to become a preacher himself. However, things turned out completely different because in 1771 he joined a Masonic order… He interacted with well-known and influential people such as the writer Voltaire, sculptor Houdon and the then U.S. ambassador to France, Benjamin Franklin.
It was in 1781 that Gébellin claimed that the Tarot had Egyptian roots. When he began publishing his serial “Le Monde Primitif, analysée comparé avec le monde moderne” in 1773, he had been studying esoteric wisdom for 20 years. Thousands of people subscribed to his publications, including Louis XVI of France. “Le Monde Primitif” consisted of a total of 9 volumes and although the Tarot is already mentioned in volume 5 (“an Egyptian game”) It was volume 8 that was entirely dedicated to the ‘Tarreaux’, a deck of cards that, according to Gébellin, was best known in Germany, Italy and Switzerland. The name ‘Tarreaux’ is said to have been derived from the words ‘Tar’ and ‘Rho’ (royal road). Volume 8 of the serial was thus entirely devoted to the Tarot. 90 pages total of which 60 by Antoine de Gébellin. Antoine explains the origin of the Tarot (being Egyptian). The remaining 30 pages are from a certain “C. de M.” In this section, a Tarot spread is presented. “C. de M.” is Louis-Raphael-Lucrece de Fayolle, or ‘Le Comte de Mellet‘ (1727 – 1804). Fayolle was already researching the origins and the use of card games before he came into contact with Gébellin’s work. One of his publications is about the development of various card games at the court of Brabant (The Netherlands).
But first we return to Antoine de Gébellin; As mentioned, in 1773 he had started publishing work that would later become known for the Tarot. But before the Tarot is discussed in detail in volume 8, Antoine tries to bring up all kinds of ‘old wisdom’; He did this, among other things, by analyzing and comparing ancient languages. He was mainly interested in the alphabet and the icons that occur in some languages such as Chinese, Hebrew and of course ancient Egyptian. (Hieroglyphics).
Antoine also writes in his book how he came into contact with the Tarot and how he immediately understood the deeper meaning that others eluded. This is known as his famous ‘fifteen minutes of enlightenment’. Antoine was attending a party, where he met a lady – ‘Madame C. d’H’ who was playing a card game with a few other people. Fascinated, he picked up the card ‘The World’ and intuitively told what the ‘real’ symbolism was. In fifteen minutes he had explained all the cards and had declared that the origin was clearly Egyptian. How this is secretly a bit true is something for later. Because the focus here, are the 30 pages of Le Comte de Mellet; De Mellet probably published the very first Tarot Spread. And it would be a lot of fun to try that spread!
In the original description, you do this as a couple, but you can do it alone (this just requires some extra focus).
First Published Tarot Spread by Le Comte de Mellet
First, find all the Major Arcana cards from your deck and put them aside. The other stack (Minor Arcana + Court cards together) is also placed on 1 stack on the left (step 1)
Now you are going to count from 1 to 14 where you turn over a small Arcana Card with your right hand and place it next to the stack. At the same time, you take a Major Arcana card with your left hand and place it next to the stack. However, you leave this Major Arcana ‘closed’. (Step 2)
When the Minor Arcana card matches the number you call out, you set it aside together with the Major Arcana card. You call out the numbers where Ace =1, Page =11, Knight = 12, Queen = 13 and King = 14 (Step 3)
The stack with the Major Arcana cards is of course the first to run out. When that happens, you slide it aside again and start over. You continue until the stack of Minor Arcana is also finished. According to the original description, you need to repeat this process 3 times, but I always stop after 1 round.
You now have a number of ‘pairs’ of 1 Major Arcana and 1 Minor Arcana card. You interpret this in pairs.
In our Western culture (but also in others), for centuries The Wheel of Fortune has been associated with the realization that everything is constantly changing and in motion. On a mundane level, in short you can call it ‘fate’. In the Tarot it’s not just about good or ill fate coming your way; It is also about whether you are able to give direction to your life and willingness to change. In terms of symbolism, a lot of attention is paid in various literature to the ‘animals’ / ‘angels’ in the corners of the card: The Taurus, the Lion, the Eagle and Man. They are connected to the zodiacal signs, the elements and the figures from the biblical vision of Ezekiel. Much has been written about it and it is a familiar symbolism to most tarotists. Much less can be found about the ‘animals’ in the middle: The Snake, the Sphinx and the ‘dog’ figure (the Egyptian God Anubis). Why did Waite mix Egyptian symbolism with Christian symbolism here? After all, Waite was of the opinion that the origin of the Tarot was NOT Egyptian; And what does the Sphinx symbolize? You can write a very thick book about this card. I will do that when I grow up, but first I want to share some thoughts about the sfynx.
Last Night a wise knower of a mystery secretly said to me:’The Secret of the Wineseller…hidden from you cannot be’
He then said: ‘Be easy with the way that you treat yourself, it is the nature of the world to treat hard-workers heavily’.
He then gave to me the cup which radiated the sky, so that Venus danced and the lute player said: ‘Drink’, repeatedly.
‘O son, listen to advice, do not grieve for the world’s sake: I speak to you advice like a pearl, keep it in your memory’
‘With bleeding heart still show the laughing lip of the cup: if you are wounded, then crying like reed you shouldn’t be’
‘As long as you haven’t been in the veil, you haven’t a hint: where Gabriel gives news, those who’re immature can’t see’
On the carpet of the knowers of the subtle is no pride of self: Man of wisdom, either speak what you know or sit silently’
O Winebringer, givewine: Hafez’s drunken loving was known by Lord of Unity, Forgiver of faults… Concealer of stupidity
This is one of the poems from “Falnama – Divination Book of Hafiz of Shiraz” by Paul Smith. These Persian Poems – or ‘ghazals’- have been used as divination method for centuries. They are believed to have been written by Shams-ud-din (1320 – 1392), who was later named ‘Hafez’. ‘Hafez’ is a title given to someone who has memorized the entire Qur’an, something Shams-ud-din had achieved in 14 ways according to his own claim. How does this relate to Tarot? Well, maybe not in a literal sense. But there is always a way to relate to the Tarot (as well as to wine…. 🙂
Several years ago I was looking for certain information for an article that I could not find anywhere. I browsed the entire internet, but nothing. However, I came across something completely different! Something that allowed me to expand my knowledge a lot! I think the saying: ‘if you look for one thing, you will find the other’ really applies! I came across a complete Tarot Course, written in a distant era, on a typewriter on which the letter “W” had failed at some point, Sometimes the writer had (probably) been “blind typing” while his fingers were on the wrong keys. But despite this – and the archaic writing style – I could read and understand the text quite well and it appealed to me.
The course was written by Paul Foster Case (1884-1954), Wikipedia told me he was the founder of “Builders of the Adytum” and had been an absolute authority on the Tarot. He published a number of books, articles as well as his own Tarot deck: The Major Arcana cards that are supposed to be colored by the student himself, according to precise instructions.
Although Paul Foster Case lived during the revival of occultism, Western esotericism and the growing interest in the workings of the human psyche (in the late 19th and early 20th centuries) and was a contemporary of Waite, Crowley and Jung, I had never heard of him.
Paul Foster Case was born in Fairport, New York, in 1884, the son of a librarian and teacher. So he literally grew up between books and could already read when he was 3 years old. His mother taught him Greek, Latin and music from an early age. At the age of 9 he ‘ worked’ as an organist in the local church where his father was a church guardian. As a result, he also formed an early opinion about the (hypocrisy) of the organized religion and denominations. However, Paul was interested in the spiritual and his father’s work in the library gave him free access to a large number of occult books that he devoured. His father, who was fundamentally Christian, of course, did not approve of this; In the Case family, it was not even allowed to bring something like ordinary playing cards into the house!
But as befits a teenager, Paul rebelled against his father and not only bought playing cards, but also learned to do tricks with them based on instructions from various magic books. In winter, the Case family often vacationed in Nassau (in the Bahamas, which was then called the West Indies and was a British colony), where Paul came into contact with “Obeah“, an African religion that had been brought to the Caribbean by slaves from Africa. This enriched his world and made him consciously deal with so-called mystical experiences from an early age. He found out at the age of 9 that he could consciously direct his dreams and promptly wrote a letter to the famous writer (and freemason) Rudyard Kipling (author of “Jungle Book”) to get more information. Kipling affirmed that these experiences with the 4th dimension were “real” and thus an exchange of letters began that would last for years and grew into a friendship.
But more special encounters would follow; As a 16-year-old, Paul had by now achieved success with his playing card magic tricks. He often performed at local events and fairs. During one of his performances, he met architect and writer (and occultist) Claude Fayette Bragdon who also lived in the area. Bragdon was very good at card tricks and they exchanged tricks. At one point Bragdon asked Paul, “Where do you think the playing cards originate from?” This question hit young Case like a bomb; After the performance, he searched all the local libraries to find books on the history of playing cards. Little was available but eventually he found a 17th century Rosicrucian text explaining that the Tarot was an ancient esoteric system called “The Game of Man”. From that moment on, Paul spent all his time studying Tarot cards and Symbolism. He believed that the Tarot cards were made to allow man to access hidden layers of consciousness in order to expand consciousness as well. And this is exactly what happened to Paul, because from that moment on he started hearing his “inner voice”.
The well-read Paul had been familiar with the “modern” psychological theories that already have been emerging since he was a teenager; Sigmund Freud had opened his own psychiatric practice in 1880 and started published startling works on the human psyche, including those on the Oedipus complex in 1897 and a theory on how to analyze dreams in 1900. Because of the popularity of these theories on psychology as well as the emerging interest in psychopathology, Paul also made sure that he would not speak too much about this “inner” voice to others. Paul himself had already come to the conclusion that the phenomenon he experienced was different from the ‘typical’ cases of psychoses and he attributed his inner voice to something that came out of his own subconscious, a kind of ‘tool’ that cooperated with and was integrated into his consciousness.
Almost simultaneously with Carl Jung he started to investigate (archetypal) images and the unconscious. However, Paul Foster Case did this by focusing entirely on the study of the Tarot cards. Paul saw each card as a separate “channel” that fed archetypal energy into the consciousness and thus provided insights. In addition to the esoteric aspects, he also noticed that the Tarot could be of a very big practical value. He had the latter in common with Eliphas Levi, a 19th century mystic whom he liked to quote:
“Above all marvelous. a prisoner, devoid of books, he only had a Tarot of which he knew how to make use, could in a few years acquire a universal science and converse with unequated doctrine and inexhaustible eloquence”
One day Paul had a dream that he was a Rabbi in the 18th century who was reading a book about Kabbalah. The book was written in Hebrew, but contained a Latin translation next to each text. When he woke up, he decided to go and try to see if this book really existed. Eventually he did find it in a library. Paul realized that it was inevitable that he also had to study Kabbalah thoroughly and should learn the Hebrew letters. From this time on, he maintained a strict regime and studied every day. Because he was mainly interested in the Kabbalistic Tree of Life, he soon came into contact with the yoga (pranayama) techniques. Pranayama is a yoga technique in which the physical (hatha) and the meditative (Raja) are combined by focusing on breathing. He adhered to a strict vegetarian diet and experimented with Pranayama to achieve a different level of consciousness. Initially this was very sucessfull, but also generated negative side effects: he had a number of (paranormal) experiences that he could not control. Paul finally concluded that Pranayama – although it was an effective system for expanding your perception and your level of consciousness – “was not suitable for the Western mind & body.” He saw more benefit in the Tarot for this.
Paul Foster Case lived in Chicago around 1909/1910 and earned a living by performing organ performances in theaters. Once, while waiting for the bus to go to work, he was approached by a man he did not know but who seemed to know everything about him. The man asked if he couldn’t take the next bus because he had something to tell Paul. If this were to happen in our present time, you would probably walk away. But that time was different; In those days, You were not often accosted on the street by marketeers.
So Paul accepted the request. The message the strange told him, was the following: Paul had arrived at a crossroads in his life. He could go both ways. The first option was to keep doing what he was already doing; He would be able to perform in theaters and even though he would not become world famous, he would still be quite successful and lead a comfortable, enjoyable and fulfilling life. On a spiritual level, however, he would remain stuck where he was now and not develop much further. But he could also take a different path: develop his spirituality fully and play an important role for humanity and its evolution in the Aquarian age that was to come. However, his path was going to be tough! He would encounter many disappointments and even poverty awaited him. He would also be forced to withdraw from the music he loved so much. And to top it all off, he wouldn’t receive any recognition or appreciation for his work. The stranger also told Paul that he was speaking on behalf of a spiritual teacher who would help him. But guarantees about whether Paul would succeed could not be made. The only promise Paul got was that he wouldn’t starve (even though it might seem like it at times).
Paul Foster Case was 25 years old at that time, and made a pledge that he would make serving humanity its number one priority. The stranger turned out to be the chief of surgery at a major Chicago hospital, and they would remain friends for a long time. Paul did not quit his job immediately, but he faithfully continued to study the Tarot every day and began to write down his discoveries in notebooks. During musical tours he had a lot of time to read, write and reflect. He began to read the works of well-known occult writers (including Eliphas Levi and Papus) but was not completely satisfied with their contribution to the Tarot. Paul felt that the Hebrew letters and planets assigned to the major arcana by the previous writers were incorrect. Even before A.E. Waite had published his (now famous) Tarot deck, Paul also discovered that the tarot cards VIII and XI should actually be switched around. His theory was, that in earlier times a number of Tarot cards had been given the wrong order on purpose because in order to keep the (esoteric) knowledge hidden. A long the way, many of these ‘discoveries’ have been corrected and Waite (and Paul Foster Case) discovered this ‘last’ one. Paul Foster Case wrote the following about this in reaction to an Article of Arthur Edward Waite in a magazine called “The Occult Review”:
“The symbolism of Mr. Waite’s pack which has just appeared, set me right about the cards for the signs Leo and Libra and I had no difficulty seeing that his Magician was Mercury, his High Priestess the Moon and his Empress evidently Venus “..” I am perfectly sure that in connection with the Hebrew letters, the Tarot keys represent the elements, planets and signs as they are attributed in these lessons ”
In 1917, when the USA entered World War I, Paul performed as an organist in the – at that time immensely popular – silent movies. His work consisted of playing an opening piece, followed by a short variety act. Then there was a polygon news, after which the main movie started. He accompanied this movie musically playing the organ. This job only took 3 hours a day but he was still able to earn a living. This again provided him with an enormous amount of time to spend in libraries where he continued to search passionately for a “mystical truth”.
More and more notebooks filled up. Paul also wrote a number of articles about the Tarot by which he attracted the attention of a number of well-known (occult) authors including H.S. Lewis (AMORC Librarian) and Michael James Whitty (Archivist of the Alpha et Omega order, an offshoot of the Golden Dawn). The Golden Dawn was founded in 1887 by 3 Freemasons and enjoyed much popularity for a time. But after a while this order splitted into 3 separate orders: The Stella Matutina – under the direction of – among others – the famous writer William Butler Yeats,, TheGolden Dawn where Arthur Edgar Waite held sway and the Alpha et Omega with at the head one of the original founders: Samuel MacGregor-Mathers. It is with the latter order where Paul would expand his work until he found his own order: The Builders Of The Adytium (B.O.T.A) in 1922.
Paul Foster Case wrote articles in a spiritual magazine (AZOTH) and a book on the classical kabbalistic system: The Book of Tokens. While everything was going on (quarrels within the order, falling in love with a fellow member) Paul received another invitation from a mysterious stranger one evening; A gentleman calling himself Master Rococzy asked Paul to meet him at the Waldorff Astoria hotel. It is unclear exactly who Master R. (as Paul called him) was. But Paul was convinced that he was one of the highest adepts in alchemy. Someone who – as described in the mystical legends – was able to make his consciousness so strong that he is able to take it along with him through the incarnations. Paul even called him “The Earl of Saint Germain“. Master R. made no claim in this area himself, but did offer Paul to follow a mystical training under his guidance. Paul spent 3 weeks intensively with Rococzy and learned from him that it was important to review the tarot cards and educate others about it, because it was time to release more esoteric knowledge – knowledge that had hitherto been hidden – into the world . Rococzy also told him that Paul himself was not particularly special, but that there was simply no one else who seems to be ‘better” and that “they” had to make do with what they got. And because one eye is king in the land of the blind, Paul got to work.
In 1929 Paul published his B.O.T.A. Tarot deck drawn by Jessie Burnes Parke. Paul made changes to the designs previously published by the Golden Dawn and Waite-Smith. The Kabbalah played a big (er) role in his Deck. In the years that followed, he also corrected many rituals of various orders and temples: he had discovered some “errors” in this and warned that it was not without danger to blindly copy and practice everything that was written. A complete separation between unconscious and ego could occur, with disastrous consequences. As an example, he cited Aleister Crowley, both famous and infamous English occultist and enfant terrible among the ‘magicians’ of the time.
Paul Foster Case published a number of books and also held many lectures where he got the audience off their feet. He was in close contact with famous writers, spiritualists and occultists of his day. Among them Dion Fortune, Alice Bailey and of course Edward Waite. Yet the stranger’s prediction at the bus stop came true: Paul himself never became “famous”, had to make ends meet many times in his life. His marriages also ended more than three times (he was married several times but the exact number is unknown).
The B.O.T.A. still exists and they are still publishing the work of Paul Foster Case. In my opinion, everyone that is interested in the Tarot should try and read some of his books. Some of them are a bit ‘difficult’ to read, but for me it really uplifts your knowledge and understanding of the Tarot! The book about his life that I read to write this post is written by Dr. Paul A. Clark: “Paul Foster Case – His life and works”.
In the Tarot you almost always immediately associate the “mother” with trump III The Empress. She is the caring mother who gives space to everyone and takes care of the growth and development of others. She is close to nature and her energy is limitless. It is a “positive” card whose opposite (negative point) is that the lady in question is often so concerned with taking care of others that she forgets her own needs. Providing unlimited energy to allow everything to grow and bloom can have the disadvantage that you go beyond your own limits. And that is of course not advantageous.
Tarot readers do usually not get much “darker” or “more negative” in terms of interpretation. And that’s funny, because when I had to create an exercise for one of my Tarot courses a few years ago, the Empress also reminded me of Olivia Godfrey from the “Hemlock Grove” series. This rather special mother is brilliantly portrayed by Famke Janssen. She ensures that you navigate the entire series between feelings of disgust and hatred for the bitch on the one hand and then again pity, admiration and sometimes even sympathy. You never know what her ‘true face’ or motive is, there are so many sides (often dark) to her character.
The mother archetype has many aspects; In addition to the (personal) mother and grandmother, it also includes the stepmother, mother-in-law, school teacher and other women with whom one has a relationship. According to Jung, the mother archetype appears in many more concepts and (underlying) associations: the wise woman, loving goddess, mother of god, beautiful young virgin. Places where one is “free” or “safe” have feminine or maternal connotations: paradise, heaven, earth, sea, forest, land, lake, universities, churches, cities, ships. The moon, water and matter are linked to the mother archetype as well as specific places related to fertility and birth: gardens, fields, wells, flowers (rose, lotus) and helpful animals like cows and hares.
Because everything has 2 sides – or rather: is on a scale between 2 polarities – there are also quite a few ambivalent and negative aspects associated with this archetype: Fate (domain of the 3 Fates), the false witch, the dragon ( and any other devouring or strangling animal such as snakes and sharks). The grave, death, nightmares. In the west we often tend to see the “good” side of the mother and that is what they often do in the Tarot as well. As said before, we see the Empress as a mother and a symbol for fertility and growth. But also the The high priestess – who is the ‘same’ woman as the empress but we will get to that in another article – is seen as positive; With her beauty and mystery, trusting in her intuition she is attractive to both men and women.
The Tarot Queens are all – as “more mature” adult women – dealing with the elements in a nurturing way. Only the queen of the swords is often portrayed negatively, at least in the Rider Waite and the Toth Tarot (both the intellect and – albeit to a lesser extent – the “will” have been regarded as a negative trait in women for the past centuries. But of course the “dark” sides always take part, it is a different side of the same coin. In western culture, occasionally an evil stepmother or a bad fairy pops up, mainly in fairy tales. They are usually portrayed as somewhat pathetic, jealous and lonely women who we either dislike or take pity on…
But in Eastern myths and religions of older times, people knew goddesses that make Snow White’s witchy stepmother look like an angel. For example, the Hindus have Kali (black earth mother) who looks terrifying with four arms with a sword in one of her hands. This reminds you of the Queen of Swords in the Tarot .. in terms of image she comes close to Aleister Crowley’s Sword Queen. Kali is a protective mother who kills demons, drinks their blood and thus keeps the world safe. But her strength and energy can also be completely destructive!
The Greeks have Hecate, goddess of protection AND destruction. She is the goddess of both fertility and death. She rules witchcraft and magic. The ancient Egyptians saw Hathor as the ultimate mother goddess. She was the “mother of mothers” and symbolized fertility and security (hence her name literally means “home”). But the Egyptians also recognized her “terrible” side that everyone feared: she could change into a ferocious lady! For example, she once committed a massacre among the gods: she killed them, drank their blood and could still not be stopped! Because of this “incident” she often got the head of a lion in pictures. As she could get into this kind of ‘mood’ more often (and then threatened to destroy the whole world) she was also depicted as a snake. Later she was identified with the goddess Isis, who was seen as the goddess of motherhood. However, in Isis mainly the positive sides are emphasized, which is why she became the most popular goddess in Egypt.
There are many more examples, but I think the point is clear; The “dark” side of the mother is underexposed in contemporary culture, but also in the Tarot. If you were to list all Tarot cards that represent this mother archetype, you would make a positive personal description for all of them (alltough to many of the tarot readers the Queen of Swords is still the exception). The downsides that are assigned to these Queens are small things, they cannot even be called character flaws. And in general they are mainly detrimental to the person themselves and to a lesser extent to their environment. Let’s look at some examples on how the ‘yin’ cards are interpreted:
The “dark” side of the High Priestess is that she “hides” something, or has knowledge of something that she does not yet share. The Empress is lots of growth and development, the downside to her is that she sometimes has no boundaries, of which she mainly suffers from herself: she forgets that she also needs space and time so that things cannot grow over her head.
The Queen of Pentacles is a nurturing mother, a sensible woman who loves nature and is good with money.She loves beautiful things and a house with a garden.
She is a good hostess, a traditional “mother mother” who often says “That’s the way the cookie crumbles my dear”. The Queen of Cups is sensitive and gentle. She can get into that a little bit and then plays the helpless women card. This then acts like a magnet on men, who fall over each other to “save” her. The Queen of Wands is the most popular given today’s standards: not only is she a nice mother who emphasizes her femininity, but also a smart and spunky aunt, businesswoman and a fun creative “witch” who can express herself well.
The Queen of Swords does not receive a “sugarly” description from many people. Arthur Edgar Waite also seemed not to know what to do with her; He emphasized the “negative” side and it is often the first to be addressed. She is a bitter, single or divorced woman. She’s also bitchy so no man wants her (or no man wants her and that’s why she’s bitchy that’s a bit unclear.). The positive side sometimes comes at the end of the list: that she is not guided by convention, that she is independent and does not accept bullshit. But this is not very valuable (it is for herself, but not for others.). She can look at her feelings objectively, she fights against injustice and stands up for the weak. But just like with Kali, that’s a small detail. Apparently the Queen of Swords is more or less the only one to survive the current of the ‘loving mother’ – trend that started by the ancient Egyptians from 2700 BC.
Carl Jung, however, was someone who found it interesting to look at dark sides. He has elaborated on the mother archetype extensively. The “negative” feminine aspect is sometimes emphasized so strongly in his work that you wonder what is behind it (something in his personal unconscious probably LOL). Yet you also in his descriptions that of the four “main types” there are three types that are slightly more positive (and one that comes off a bit more badly).
I have plotted the Queens of the Tarot to the feminine personality types and mother complexes of Carl Jung and I will happily share that with you in an upcoming article!
The Tarot is so ingeniously put together that you can plot any spiritual, philosophical, occult, psychological or even scientific trend on it. It just depends on what you focus on. What you want to see, you can see in the Tarot. This ensures that you never stop learning and that you can stretch your mind considerably. You will receive different insights over time as you acquire more knowledge.
The name ‘Belline’ is probably familiar to some; Especially to those who are interested in the history of the Tarot and like to work with the somewhat unknown decks like the ‘Grand Tarot de Belline’. This deck consists of 78 cards and the system looks like a mixture of the work of Jean Baptiste Aliette and the traditional Marseille deck.
The ‘Belline Oracle’ and the ‘Grand Tarot de Belline’ are named after the man who is actual name is Marcel Forget (1924 – 1977). Marcel Forget was a well-known Tarotist in Paris in the 20th century, but the decks he published were not of his hand. The original author is Mage Edmond (real name: Jules Charles Ernest Billaudot). And he was also an interesting character….